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video sculpture after m. antonioni
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the first portrait was francis bacons 'unfinished portrait',
which has been retranslated by william forsythe, please see below.
the barcelona pavilion by mies van der rohe functions as a sculptural device
'to house' the second portrait, the sequences from casa malaparte
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work in progress | casa malaparte | capri | Italy
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video sculpture
| architectural device | rotating figure inscribing a circle | six channel
video projection onto free standing screens
300 cm x 400 cm per screen
installation view : Museum für moderne Kunst Weserburg, Bremen
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figure inscribing a circle | collage [figure] | single - double
video projection onto architectural
device, sound, wood, concrete, dry wall, glass
80 cm x 200 cm x 100 cm
berlin 07
video sequences of a figure inscribing a circle on a rotating
disc are being projected onto an architectural device. a collage
| distortion of the figure occurs at random
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retranslation | final unfinished portrait (francis bacon) |
figure inscribing figure | [take 02]
three channel video installation, drawing
3,60m x 5,50m, 2005
Installation view Musée du Louvre, final unfinished portrait
by Francis Bacon | camera perspective from the front (William
Forsythe)
Photo: © Musée du Louvre / Angèle Dequier
© Peter Welz / DACS & the Estate of Francis Bacon
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architectural
device for a forsythe movement | right hand movement | collage
of fake concrete walls | side
wood, dry wall, video projection, projector,
DVD player, 30 min. loop, sound
dimensions variable
new york 06 | installation view 'the kitchen' new york, photo:
eileen costa
deriving from drawings, tracing forsythe's movement of his
right hand, a collage of fake concrete walls define the transition
from movement into architecture. thus the sequence of the
movement is being projected onto the architectural structure.
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architectural
device | corrugated wall | curved | 90° corner
2005, corrugated roof made of coloured PVC,
steel, 30 min. loop , concrete blocks, 5,00 m x 3,00m x 3,50
m
exhibition view ‘urban realities:focus istanbul’ martin
gropius bau, berlin
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line
| vanishing | disappearing | breath | aspirate | onto fake concrete
wall | concave
Berlin
2004, video projection onto a fake concrete wall, 550 x 280
cm, 30 min Loop on DVD
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'I am breathing against the camera lense
while filming a black line drawn onto grey card. the aspirate
and condenstion blurr and finally make the line disappear.
the condesation on the lense dries up shortly after and therefore
the line reappears. I repeat the action several times. the
video is being projected onto a fake concrete wall (concave)
with the sound played aloud. the dimensions and the shape of
the wall derive from the studio wall of the museum of modern
art in dublin where I did an artist in residence in 2003|04.' |
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whenever on on on nohow
on | airdrawing
five channel video installation, 100 min.
loop on 5 DVD’s
running simultaneously, amplifier, speakers, back-projection
screens
dimensions variable
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berlin | dublin 04, edition of 5
installation view The Renaissance Society, Chicago, USA
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the fall | corner projection
| claudia up | juan down
2003-04,Video installation, 30 min. Loop on
DVD running at random dimensions variabel
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The sequences show two dancers falling filmed
from below through a sheet of glass. The dancer on the first projection
falls with his head pointing down, the second dancers' falls with her head pointing up. The third projection is a merged image of both pointing downward. The sequences are played at random, the sound is played aloud. |
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double space for the exact
fall (forward)
Berlin, 2000, Zinc metal, 2 parts, 217 x 185
x 125 cm
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The piece defines twice the space for a person in the body
height of 185 cm to leap from the vertical position into
the horizontal
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figure (grey) between two
spaces -
none-moving
jesmonite, cement, wire, metal I-beam, carriage,
elect. motor, wood, dimensions variable, berlin 2000
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a single grey figure is suspended from a carriage on a metal
I-beam. the motor moves the carriage just very briefly which
causes the
figure to dangle between the two wooden spaces, which could
be houses.
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figure (grey) moving (backward)
in a circle (continuously)
jesmonite, cement, wire, metal I-beam, carriage,
elect. motor, battery, battery recharger, dimensions variable,
berlin 2002
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a grey figure is suspended from a carriage which runs slowly
backwards on circled tracks under the ceiling, as if the
figure is walking
backwards. the space under the sculpture is totally empty.
the battery, the recharger and the wires are placed in
a visible set-up.
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horizontal tilt
30 min. loop, video projectors, wood, canvas,
primereach 210 cm x 150cm x 50cm
london | berlin 1999
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both constructions for the projections are set in an 90º
angle on the floor. the figure in the video bounces up
and down horizontally
due to the turned position of the camera. the front- and back
of the head hitting the wallconstructions creates a banging
sound.
both sequences are played at random. the heads point in the
same direction toward the corner, one facing the ceiling,
the other
the floor.
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ecce homo
concreate, steel, wire, speakers, compact
discs, disc player,
each 185cm x 12cm x 12cm
london | berlin
1997 |
1999
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